Boston Conservatory at Berklee and Longy School of Music of Bard College

I’m extremely excited to have joined the faculty of two excellent institutions on the cutting-edge of musical education. I am now accepting students both at Longy School of Music of Bard College and Boston Conservatory at Berklee.

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Longy School of Music of Bard College is a wonderfully unique school with opportunities for a tailor-made experience with unlimited creativity. It has a ton to offer including exciting El Sistema and music for healing programs not to mention its stellar faculty. Longy’s mission is to prepare musicians to make a difference in the world and weavs artistry and service together as an integral part of the curriculum. It’s also situated in one of my favorite cities: the beautiful, vibrant Cambridge, MA.

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Boston Conservatory at Berklee is the nation’s only interdisciplinary conservatory with dance, music, opera, and theater. Through it’s merger with Berklee School of Music it now affords students myriad resources (including a state of the art well-staffed career center), opportunities for collaborations, standard rigorous classical degree programs, and a Contemporary Classical Music Performance (CCMP) department. CCMP incorporates influences from early 20th-century classics to electronic music, jazz, pop culture, experimental, and mixed media arts in a professional training setting. BoCo develops the skills and insight needed to achieve a life in music, as performers, composers, teachers, directors, or entrepreneurs.

Please feel free to contact me or the schools listed above for more information.

Sideshow hits the road

The Talea Ensemble has performed Stephen Takasugi’s Sideshow all over the world and we hit the road again in September, bringing this ground-breaking piece to Strasbourg, Bremen, and Luxembourg. Here’s a fun video with interviews and rehearsal footage from Festival Musica:

 

Winsor Music Newsletter

We just opened our 22nd season at Winsor Music to a full house! One Winsor fan called the Oct 28th program “achingly beautiful.” Read about it and the rest of the incredibly exciting, star-studded season here!

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In the Studio

Two months in a row I've been in the recording studio with two of the most influential and incredible saxophonists and musicians alive today!

After a few dates at The Stone amidst a month-long residency celebrating his 60th birthday, Steve Coleman and Natal Eclipse laid down some tracks for an upcoming album on Pi Recordings.  

Steve Coleman and the incredible line up of Natal Eclipse (Neeraj Mehta, Kristin Lee, Matt Mitchell, Jen Shyu, Greg Chudzik, Maria Grand, and Jonathan Finlayson) at Systems Two in September

Steve Coleman and the incredible line up of Natal Eclipse (Neeraj Mehta, Kristin Lee, Matt Mitchell, Jen Shyu, Greg Chudzik, Maria Grand, and Jonathan Finlayson) at Systems Two in September

And last week after a killer concert at Miller Theater Talea Ensemble recorded John Zorn's absolutely wild and beautiful wind quintet. (You can look at our shout out in the New York times here).

Talea Ensemble & Jim Baker with John Zorn at EastSide Sound in October 

Talea Ensemble & Jim Baker with John Zorn at EastSide Sound in October 

Pass It On

Vinko Globokar with SICPP faculty and members of the Callithumpian Consort

Vinko Globokar with SICPP faculty and members of the Callithumpian Consort

Much to my delight the summer of 2016 was filled with opportunities to work with motivated and talented students in front of vastly different backdrops. The Summer Institute of Contemporary Performance Practice (SICPP or "Sick Puppy") at New England Conservatory kicked off the summer season with a residency by Vinko Globokar, legend of theatrical, sometimes bizarre, and always abundantly creative music. This year we helped participants stretch their instrumental skills in addition to singing, speaking, improvising, moving and all manner of inspired chaos.


Sunset at Apple Hill Center for Chamber Music

Sunset at Apple Hill Center for Chamber Music

Apple Hill Center for Chamber Music, set in the bucolic hills of southern New Hampshire, provides the unique opportunity for musicians of all ages (12-80) and levels (conservatory student to beginner) to grow and experience community through chamber music. I can safely say everyone who attends is transformed and as a coach there for several years I would encourage every budding musician to participate. 


Gorgeous concert space (and former latrine for monks!) at Royaumont

Gorgeous concert space (and former latrine for monks!) at Royaumont

Built in the 12th century, the Rouyaumont Abbey just outside of Paris currently hosts exclusively arts related programs. Talea Ensemble stayed there for two weeks working with advanced composers and performers from around the world, playing concerts, teaching lessons, and coaching chamber music. 

Royaumont Abbey

Royaumont Abbey

Now that the fall season is well underway I'm happy to be back with my private students in and around Boston and my chamber music students at Mather House on the Harvard University campus. Other teaching highlights for me this season will include lectures to Music Humanities class at Columbia University as part of Talea Ensemble's year-long residency there and several other school visits with The City of Tomorrow in New England (details to follow soon!).